'She never held a stick in her hand, but she would encourage us to discover the character on our own.'
Vijaya Mehta's eyes were always twinkling, her smile was always warm, her sari usually a collector's piece. She put on no elder statesman airs. But when she was in director mode, she allowed her actors and technicians no slack. Deepa Gahlot doffs her hat to the undisputed doyenne of Marathi theatre and one of India's most influential directors and actors, who shaped the landscape of Indian experimental theatre.
'She was not burdened by the knowledge of her craft and the world. She just was a child till her last days.' 'When she smiled, everybody in the room would light up.'
'She taught us that acting wasn't something people did because they couldn't do anything else. It was a skill. A skill that needed to be constantly polished and shaped, and the respect you command with that.'
Tighee is a quietly heartfelt drama, shining through sensitively curated human moments and impactful performances, discovers Sreeju Sudhakaran.
Raja Sen feels The Lunchbox id this generation's Masoom.
